In our series where great musicians tell the stories behind memorable records from their back catalogue, the Led Zep frontman discusses his enduring love for Patty Griffin and why hes happiest in the land of cider, Wolves and Welsh mythology
Listen Youd Better Run
Im 17, full of myself, in a youth club with Noddy Holder Its a warm-boned autumn afternoon in Londons Primrose Hill, and Robert Plant, 69, is luminous as a cartoon lion, a Soul Jazz records T-shirt tight over his belly, his golden mane winking in a dimly lit local French restaurant. Carry Fire, his 11th solo album (24th if you count collaborations and Led Zeppelin LPs) is just out, and with a little judicious nudging Plant generally dislikes nostalgia hes looking back. We are somewhere in the West Midlands in 1966. Wed borrow Noddys dads window-cleaning van for our gear, buckets clanking through the Black Country streets, so to have a record that was going to be pressed, have a dust sleeve it was showing-off time. He rears up. Well, weve got this deal with CBS, Noddy. And Noddy goes: Thats all right, weve got one with Columbia. And then I found out it was the same bloody song!
The track, originally recorded by US band the Young Rascals as You Better Run, was the first commercial release for both the NBetweens (who became Holders band Slade) and Listen, whose singer was Plant, although the label asked him to record their first single on his own. It was his first studio experience. I still remember the pride and the thrill and the smell of fear; to walk in a studio and see session guys booked for me to sing. I was very, very nervous. He did not appreciate how good a time it was for music then, he adds, and he still loves freakbeat bands: the Poets, Farons Flamingos and the Birds (who counted Ronnie Wood as a member) were among his favourites. And here I was in the middle of it all, trying to create a style, looking at black soul singers and my heroes like Steve Marriott. He still hears that nascent howl on Led Zeppelins debut three years later, too. That nasal boy. Its kind of cute now.
Led Zeppelin Friends
Four years later, the young show-off was an international rock god, all mane, chest and roar. But Friends marked a departure. I realised that tough, manly approach to singing Id begun on You Better Run wasnt really what it was all about at all. Songs like [Led Zeppelin Is] Babe Im Going To Leave You He flinches. I find my vocals on there horrific now. I really should have shut the fuck up!
Friends was the first place where Plants interest in Asian, especially Indian, music started to shine through, although hed first heard examples of it back in the Black Country. My neighbours were Gujarati. Coming home, I would walk up the alley in-between our terraced houses, and turn left instead of right, and just sit on the lino with my neighbours, have a bowl of curry, listening to their music. At the top of the street, at the Fox and Dogs, there was Caribbean music, too: youd hear Alton Ellis, the Skatalites, Delroy Wilson. He is unapologetic about connecting with these sounds through his own music-making. Theres something really splendid and otherworldly about trying to even touch those bigger ideas as a British rock group, to go past the idiom of singing about bars and chicks and all that crap, which unfortunately is the lingua franca of popular song. There are other dynamics of life, and we started to recognise that here.
Led Zeppelin Achilles Last Stand
In 1975, on a short family holiday in Rhodes in the middle of a punishing tour, Plants car spun off the road, leaving an elbow and an ankle badly broken; he was in a wheelchair for seven months. This was the first track he recorded, on crutches, back at the microphone. The whole of that album, Presence, is absolutely wracked with pain. Plus, the fraternity of the band at the time was stretched to breaking point. Years later, he played a new girlfriend this song. The two of us sitting in a little room on the Welsh borders, and me telling her: If you want to know what I was like at the end of Zeppelin, really, this was it. After it, she said: I dont want to be left alone in a room with that. Its too much. Thats what it was in the end: too much.
The tracks opening is also ferociously punky just before punk. Plant loved that style, especially the Damneds first album. New Rose, Neat Neat Neat: what brilliant songs. They quite rightly kicked juggernauts like Pink Floyd into touch for a couple of years. Plants felt his own juggernaut being kicked over the years too, and thats fine, he says, smiling. He recalls one Sylvia Patterson NME interview with Jimmy Page in the 90s which had the headline Help! The Aged! That was fair enough! But it made me think: well, Im not lying down because Im from another time. My time cant be the last thing I did. It has to be whats around the corner.
Robert Plant Watching You
Plants solo career kicked off in the 80s with dreamy FM radioepics such as Big Log, but this 1990 track from Manic Nirvana underlines his great love back then: north African music. A 1972 holiday to Marrakech lit the flame, but he also loved the beautiful, swirling orchestras of Cairo, and the bendir style of hand-drumming, used across North Africa, which became a bedrock for many later songs. It helps get rid of the whole rock four-on-the-floor rhythm, which I liked; it forces you away from that world. Although playing them has wrecked my thumb-bone completely.
Plant still visits Morocco regularly, recording Berber music off pirate radio over there as recently as last weekend, but he finds western sounds cutting in now, more than he does. I hear the chord progressions of Coldplay in Marrakech now, which Im trying to get away from! But Berber music burrows into me, and why it does fascinates me. Why do I feel so enriched by hearing it? Can I try and do something with it that is part of me, part of the band, part of everything? So I did. He thinks of musical influence like the process of sending off a carrier pigeon. Theres a little idea on the leg of a beautiful bird that lands and leaves a little trace. You pick it up, you pass it on.
Robert Plant and Alison Krauss Your Long Journey
Raising Sand (2007) was the record that changed everything for Plant. He discovered Krauss one night in his car, the radio singing to him in the darkness as he came from a pub on the Shropshire borders. I remember pulling over and writing the name down: who the hell was that? In 2004, they sang live together at a Lead Belly tribute in Cleveland, Ohio, and Plant got Krausss number from her manager to see if she wanted to collaborate. Their first phone conversation was odd. She whispered: Oh hi, barely speaking, then said shed call me back, quickly putting down the phone. The reason was more prosaic than pretentious. She was putting her kid to bed!
Your Long Journey is a song by bluegrass singer Doc Watson, written for his dying wife. I picked this one over them all, because its killer beautiful. Its also a great example of how much Krauss was in charge of the record, says Plant a new experience for him. I was basically tutored by Alison. Shes a very precise singer whos done more duets than you can shake a stick at, and I was thinking: help, Im a rock singer, no matter what I do. But, of course, Im not: Im just a guy that sings songs. Shed also tell him off. Shed hit the talkback button from the control room, lean into the microphone and say: Robert, why dont you sing the same thing twice? But his voice developed here, and he learned to train it, he says. Any other vocal training rituals? Usually cider.
Robert Plant Silver Rider
In the early 2010s, Plant was living in Austin, Texas. He came across the band Low in the citys Waterloo Records he knew the owner, who would put things aside for him and then on the radio. Radio is alive in America, it really is. And the way this bands voices came out of it: their pathos, the beautiful melodies, the way she [Mimi Parker] hangs on every vocal line after shes finished it was so sexy and so dark. Covering Lows songs Silver Rider and Monkey on his next album, he sung the latter with Patty Griffin, which created its own story. The singing was so sensual we ended up singing itto each other, and then moving in.
Plant and Griffin parted ways in 2014, but his heart still sings for her. Shes such a tiny, beautiful character, but shes just enormous in her passion and her writing. Her writings staggeringly beautiful.And her voice its heavenly but its wild, and thats what she is. Shes heavenly and she carries such power. You hear that here.
Robert Plant Embrace Another Fall
This is a song about coming home to the UK, which Plant did after he and Griffin split up. Its also about guilt. Guilt about leaving. I couldnt hack it. The word fall also refers to autumn, and the emotions Plant felt on returning to the dark and mists and clouds of the Severn valley, realising he wanted to be back near his children, old haunts and old friends. I had really missed the simplicities of that life. I mean, in a few weeks, I shall be at a cider farm outside Bromyard with a bunch of Polish people who shake apple trees all day and a friend who sells cider. Thats much better for me than being a rockaday Johnny in America, you know. Theres no respite there.
He says this with authority: hes seen many people fall into rocks trappings. I mean, I was lucky to meet Elvis at one point, and he was just such a charismatic, funny guy, able to take the piss out of himself. He saw fame for what it was. But as time went on, he got so bored. He was so trapped. Its so important to unhitch that ridiculousness.
Embrace Another Fall also features a last verse in Welsh, from a folk tale about a nightingale inadvertently shot in a battle, whose body is brought back on the instruction Owain Glyndr, the last Welsh Prince of Wales. Plant has always been fascinated by Welsh mythology, and is happy to be back near that country too so much so that hes an active member of the Glyndr society. Its basically me and a load of retired teachers in a coach looking for his grave. He apes a perfect lilting Welsh accent. Lets pull into this layby, boys, its time for sandwiches!
Robert Plant Heaven Sent
This new track is influenced by Plants interest in pathos in classical music, and beautiful pieces like Greckis Symphony No 3, when composers linger on one small movement of sound, to create these great atmospheres. Its a song about folly, Plant says, then laughs. Im quite often singing about my error. I just dont quite ever get it right. But if I did, Id probably be having a pipe and slippers and watching a box set of The Office, you know? A wanderlust, a longing to do other things, still drives him on, he explains. But at the same time Im carrying fire, because it hurts. Im scarring other people and scarring myself. But no matter how much scarring I do, or how much I run from circumstance, Wolverhampton Wanderers are still at home to Millwall on Saturday, you know? And when I finish talking to you, I shall be heading to play five-a-side back home with my friends, until the defibrillator turns up. Youve got to carry on.
Show me a happy writer, and Ill show you a bad one, Plant adds, smiling. A little part of me is always bearing that in mind. And still looking at lifes rich old pageant, to coin a very well-known phrase, just to see how its going.
- Robert Plants album Carry Fire is out now on Nonesuch/Warners
Robert has curated a longer primer to his work, featuring the above alongside other favourite tracks from across his career; you can listen and subscribe to it in Spotify below